How To Improve The Horse’s Straightness In The Shoulder-in
This is a great discussion of how a thinking rider can correct the horse’s attempts to evade the demands of the shoulder-in by using the other lateral movements to bring both hind legs underneath the body. This somewhat indirect approach is much more effective than trying to create the correct bend by pulling on the inside rein, or trying to create a contact on the outside rein by using “more inside leg and more outside rein”, which are so often the standard recommendations of trainers. These direct approaches actually only make the problem worse, whereas the indirect approach teaches the horse better body awareness and it makes the hind legs stronger and more supple, so that he is able to perform a correct shoulder-in easily and without feeling the need to evade.
The Thinking Rider
Every horse and every training situation presents us with challenges and problems that we need to solve because no horse and no rider is ever perfect. There is always something that can be improved. In a sense, these imperfections and shortcomings give us a job. Without them, we would have nothing to do.
In order to decide what topic to work on, which exercise to choose, or which aid to give, we have to analyse the horse and the training situation. We normally notice surface level symptoms first, such as a rein contact that is too heavy, or too hard, or uneven, or a stiffness in the hindquarters, shoulders, or rib cage, or an issue with a turn, transition, or movement.
What is Collection?
Reading the descriptions of the old masters suggests that the features that most people associate with collection, i.e. shorter strides, higher elevation, or a slower tempo, are by-products rather than the essence of collection. They are visible surface-level phenomena, whereas the true nature of collection is functional and can perhaps be felt rather than seen.
The Old Masters’ Views On Straightness
The old masters considered the horse’s natural crookedness to be a major obstacle in developing balance, suppleness, collection, impulsion, and “obedience” (i.e. positive responsiveness to the aids). Put positively, functional straightness is the foundation of balance, suppleness, collection, impulsion, and “obedience”. Without straightness, the horse won’t get very far in his training. Unfortunately, overcoming crookedness is not a trivial matter. It requires constant attention, and if the rider doesn’t work on straightening her horse every day, his innate crookedness will gradually increase again.
Why Bother Straightening Your Horse?
I’m sure you are all familiar with the concept of Straightness as one of the elements of the German FN Training Scale. Those of you who are rooted in the French tradition know it as one of Alexis L’Hotte’s three main training principles (Calm, Forward, Straight). You have probably also run into its opposite - crookedness - as a tricky and quite pervasive issue. But has anybody explained to you what straightness is and why it is important? Why should you spend your entire equestrian life correcting the horse’s natural crookedness, as Jacques d’Auvergne wrote? Can’t we just go out and have fun on our horse?
The Double Bridle can lead to a beautiful conversation
In modern dressage, the double bridle is often used as if both bits were designed identically. Most riders hold all four reins with the same tension. So the horse and rider don't get the benefit of the finesse of two bits that are designed differently and act very differently. The double bridle is not intended as a part of a costume. It is not there to get the head down. It is not there as brakes to stop your horse! In reality, the double bridle can bring a whole new dimension to the conversation with your horse.
For me, introducing the double bridle is almost like being slightly near-sighted and putting on glasses. With glasses, I can see a lot better. With a double bridle, you can feel a lot more details because you receive information through four reins and two different channels. And you can talk to the horse even more precisely than with just a snaffle.
Roundness and Softness in the Canter
During the last year I have been working on the roundness and softness of the canter with Gulipipas. When his canter doesn’t feel good, it is because the inside hind leg is not flexing enough. This results in a rough feeling under the seat and resistance against the inside rein. To the extent that the inside hind leg softens and flexes more, the canter stride becomes rounder and softer.
This made me think of Gustav Steinbrecht’s statement that the impulsion and roundness of the canter strides comes from the outside hind leg…