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Studying "The Box"... and Transcending "The Box"

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Studying "The Box"... and Transcending "The Box"

Once you see that the rules you had learned don't always seem to apply, and that there are often alternative routes that lead to much better results you start questioning everything you ever learned and you start testing the rules by experimenting with alternatives.

Then you realise that the old absolute rules you learned are in reality only rules of thumb that work in a certain percentage of cases, but not always. I tell my students in lessons that the horses don't read our books. So they don't know that they are supposed to react a certain way, according to our theories.

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Evasions.

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Evasions.

To the rider it may sometimes seem that the horse can come up with an unlimited number of evasions that enable him to protect his hind legs. But from a systematic point of view there are only FIVE different ways in which the horse can avoid flexing his haunches and supporting the weight with his hind legs:

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The Half Halt

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The Half Halt

One of the issues that our members in the Artistic Dressage Community on Facebook wanted to learn more about is the Half Halt. It is one of those terms that everybody seems to USE (sometimes for no other reason than that it makes the user sound knowledgeable) but nobody seems to EXPLAIN. That’s why it is shrouded in mystery for many riders. But it doesn’t need to be. The theory behind it is actually quite straightforward.

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How to improve your horse's body awareness

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How to improve your horse's body awareness

One important aspect of horse training is that in teaching a new movement or a better posture the rider first has to improve the horse’s body awareness, coordination, and balancing ability. This includes teaching the horse to place his feet differently, to distribute his weight differently, and to use different muscle configurations than he has been up to now.


This only works, if the horse knows where his feet are, of course. This means creating neurological connections between the brain and these muscle groups, so that the horse learns how to find them and activate them.

Goal Setting for Riders

Goal Setting for Riders

One of the keys to success is to learn how to set clear goals, and then to set up a plan to achieve them. For me, personally, the process involves considering the logistics so that I can determine where I am overestimating my time and energy available (because I tend to dream big, but that dreaming process is important, too) but also so I can make some decisions about how to prioritize my time and energy so that I CAN achieve those goals. Without clearly thinking these things through, it is all too easy to get distracted by all of the things that happen in life. There is SO much to be distracted about! And whereas we cannot - nor should we - put the rest of our lives on hold in order to move forward in our riding - if we have clearly laid out our goals, prioritized which things need to make way in order for us to achieve these goals, and then revisit these goals regularly (I review and visualize my goals DAILY - that is a topic for a whole ‘nother newsletter!), then we stack the odds in our favor that we will at least get closer to our goals, if not achieve or surpass them altogether.

Stuck in a Rut? 7 Tips to BOOST your creativity in your riding

Stuck in a Rut? 7 Tips to BOOST your creativity in your riding

One of the most challenging tasks for a rider and a teacher is to stay inspired and creative in your work. It’s very easy to get stuck in a rut of riding the same patterns and the same movements in the same sequence, in the same location of the arena every day, with every horse you ride. That gets stale and boring very fast, for the horse as well as the rider. Especially intelligent horses enjoy an intellectual challenge. So, if you keep the work varied and interesting, they have more fun with it, and you will, too.

Ask The Right Questions to Get Better Answers

Ask The Right Questions to Get Better Answers

How do you decide how to proceed next with your horse?

How do you know how to improve a movement, a transition, a turn, the rein contact, the horse’s suppleness, or any other problem you may encounter?

Many good, experienced riders make these decisions purely intuitively, based on their gut feeling and their experience with many different horses, and these riders are very often correct in their decisions. But this kind of skill is unfortunately difficult to communicate and to pass on to others.

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The 3 Main Paths to Piaffe

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The 3 Main Paths to Piaffe

The piaffe is one of the most beautiful movements to watch. It is one of the gymnastically most useful movements, and it is in some ways the gateway to Haute École, similarly to the way in whichthe shoulder-in is the gateway to Campaign School dressage. Training the piaffe is a rite of passage for the aspiring Grand Prix trainer in a similar way that flying changes are a rite of passage from Elementary School to Campaign School. At the same time, you don’t see good piaffes very often because training it is not that trivial. I often think the piaffe is like a delicate flower that can easily be crushed by too much intensity, too much rider activity, or too much force.

 

Here, I would like to give you a systematic overview over the principal methods that I have found useful in teaching the piaffe.

 

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Help! My Horse Won't Go Forward!!!

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Help! My Horse Won't Go Forward!!!

This is a question that one of our readers sent in, and it’s a problem that so many riders struggle with. Why is it a problem if a horse won’t go forward? It’s very similar to a car that won’t accelerate when you step on the gas pedal. It defeats the whole purpose of riding or driving. If you can’t go forward, you can’t steer, and you will never get where you want to go. A horse that does not want to go forward will never be able to advance in his training and reach the upper levels. In addition, many dangerous disobediences such as rearing, bucking, turning around, or bolting originate with sucking back and refusing to go forward.

 

Parameters Of The Gait

Parameters Of The Gait

There are two groups of parameters that can describe the horse’s movements, and through which the rider is able to determine and influence the horse’s gait and posture. If you change one or several of these parameters, the horse’s appearance and feel changes. The first group refers to the positioning of the hips and shoulders, as well as the posture of the spine. The second group describes the details of the gait, i.e. the movement of the horse’s legs.

10 Tips For Maintaining A Positive Mindset

10 Tips For Maintaining A Positive Mindset

Every horse is different. Every rider is different. What works well for one horse may not work well for another. There is no one size fits all approach. You have to select the right exercise, the right seat and aids, and the right strategy for you and your horse and the situation at hand. The more options you know, the more likely you are to find one that works.

With this in mind, we want to share things that have worked in our experience with our horses and our students, but... it is up to YOU to think about them and make your own selection that fits you and your horse.
 

Learning to ride in a new era

Learning to ride in a new era

Equestrian culture has changed drastically throughout the centuries, and it continues to change at a rapid pace. Many spend their time and energy bemoaning the loss of the bygone methods, culture, and ideology, and I, too, used to belong to that camp… the camp that idolises the old masters and thinks they and everything they did was infallible. But with age and experience come some hard-earned insights, and I no longer view the history with such rose-colored glasses. There was a lot of good then, indeed, but it was not all good. It was not perfect,  and like all other arts, equestrian art is evolving. It continues to evolve. It flows through time, adopting some new values while relinquishing others. Equestrian art is, therefore, a dynamic art. It changes and it can be changed.

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