A member asked a question about core stability on the Artistic Dressage page. I was struck by the huge variety in understanding of what the core is, which got me thinking about how you might access your core in a way that could be effective in riding, as well as in daily life. So in my ride today I decided to pay very close attention to how I keep myself in balance and report my findings back here. I’m not the greatest or most experienced rider, however many years of teaching Feldenkrais, movement and sport has given me a relatively refined sense of how I’m moving at any point in time.
As riders and teachers our particular approach, our techniques and methodology, our focus is very much a result of our own personal journey. It is shaped by the difficulties that we had to overcome, our own weaknesses, our discoveries, our teachers, the horses we have ridden, the books we have read, the other riders we have interacted with, and also by the students we have taught.
Occasionally, our personal journey leads us to discoveries that are real game changers for us. To others, they may be insignificant, but to us the world will never be the same afterwards. We can almost divide our riding career in pre-discovery and post-discovery. That’s how much these discoveries helped us improve our own riding. These game-changing discoveries will be different for everyone. In this blog post, I want to share some of my lightbulb moments that have helped me move to a higher level of understanding and practical skill. Perhaps they will be helpful for you as well, and maybe you can think of your own momentous discoveries and share them with us.
This week's newsletter article is a guest post by one of our guest teachers in our courses, Catherine McCrum. Catherine is a Feldenkrais practitioner and Gestalt psychotherapist living and working in London. The Feldenkrais Method is a way of improving how you move and function in daily life with a particular focus on how your unconscious movement patterns and posture holds you back from doing what you want to do with ease and grace. She works with a wide variety of clients and students from athletes and performers to people with neurological difficulties. Her original training was as a ski coach and trainer which she finds very applicable to her relatively new love of riding and her horse.
Only a supple, relaxed seat allows you to apply correct, fine aids. Any weakness, crookedness, or imbalance will have negative repercussions for the training of the horse or the communication between horse and rider and lead to problems. A friend of mine said the other day: “Horses have made themselves available to us.” They accompany us, are partners, and don’t carry grudges. Even after we have made mistakes they give us the great opportunity to further our development - mentally as well as physically. When we learn to become aware of our senses, to feel, to see, and to hear, our horses provide us with the great opportunity to achieve physical and mental balance. They teach us to find ourselves by observing our own behavior, our thoughts, and emotions.
I vividly remember one riding lesson that I had in my early days. My teacher told me: “Your horse needs to be more on the bit.” I was painfully aware of this because on the one hand it was hard to overlook, and on the other hand it was the one problem I was struggling with more than anything else. I would have loved to ride the horse more on the bit. But I didn’t know how. I wasn’t riding the horse inverted on purpose. I needed more practical, actionable information in order to be able to do a better job. Over the years I researched this subject in depth because it was so difficult for me for a long time and discovered many factors that are involved in riding the horse on the bit.
In one of our Facebook groups someone asked a question about elbows and hand position. She had been told by a trainer that she should keep her hands forward, close to the withers of the horse. Since she is not very tall, she has to round her shoulders or tip forward with her torso in order to put her hands where the trainer wants them to be. That compromises the integrity and the effectiveness of the seat, of course.
There are 5 mistakes that happen very frequently and that make it almost impossible for the horse to perform the leg yield correctly. Many riders struggle with the leg yield, especially in the trot. So I decided to discuss the subject in a newsletter article in the hopes that it will be of interest to others as well. You can apply this discussion also to the “real” lateral movements. Most of the points I address are universal and tend to occur in all lateral movements.
Everybody has heard the instruction “Shorten the reins!” countless times. And many riders get in trouble when they try to execute it because they take it literally, and their teacher doesn’t elaborate on the how and why. So they shorten the reins from front to back, and many horses resist more or less vigorously against their hand. This is one of those cases where the instruction maybe perfectly correct, but too incomplete to makes sense to many students. "Shorten the reins" is one of those instructions that need to be translated into practical action steps because it has to start from behind. Otherwise, you can get into an ugly fight with your horse.
One of the issues that our members in the Artistic Dressage Community on Facebook wanted to learn more about is the Half Halt. It is one of those terms that everybody seems to USE (sometimes for no other reason than that it makes the user sound knowledgeable) but nobody seems to EXPLAIN. That’s why it is shrouded in mystery for many riders. But it doesn’t need to be. The theory behind it is actually quite straightforward.